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On Andy Eastwood's SpaceScape for Ukulele and String Quartet

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I just listened to Andy Eastwood's " SpaceScape for Ukulele and String Quartet ," and it is some of the most interesting uke music, as well as some of the most interesting string quartet music, that I have ever heard! "SpaceScape" depicts a space probe traveling farther and farther away from earth. It has three movements, "Out of Orbit," "Journey," and "Discovery," that altogether amount to just eleven minutes. The uke, at first, sounds a bit like a pizzicatto violin, aka the high-pitched, percussive sound that we often hear in string quartets. But it soon becomes clear that this is no traditional string quartet. Familiar-sounding? Yes. But something we've heard before? Definitely not. A propulsive rhythm builds and then slows down. Sparse ukulele chords and string sections call and reply to each other. At some points, the strings seem to carry more of the melody than the ukulele, and the ukulele creates some interesting,

In defense of the little soprano uke

I recently saw a thread in a ukulele facebook group that disappointed me a little bit. A lot of people were talking shit about the soprano uke. Calling it a toy, calling it unplayable, and so on. This confirmed to me that a lot of people really don't appreciate the soprano uke for its merits and talk more shit about it than it deserves. Lots of people don't like certain sizes of ukes, but you don't hear people insult the concert, tenor, or even baritone (you'll hear people say "it's a guitar," but that's still kinder than "it's a toy") the same way they insult the soprano. I like all ukes of all sizes, and I've been into different ones more at different times. At one point, I was exclusively playing baritones and sopranos. These days, I feel more of an affinity for tenors and for the very small niche of smaller concerts that are not much bigger than sopranos. I very much suspect that that will change again. The point is, I respec

Ukulele History as a History of Woods

The history of the ukulele is quite literally a history of woods. The ukulele was introduced to Hawaii by  Portuguese immigrants in the 1880s . They brought a Portuguese instrument called the machete to the island, and the Hawaiians renamed it the "ukulele" which literally translates to "jumping flea." There are several theories about the name, and my personal favorite is that "ukulele" was  a nickname for an English officer  who himself resembled a jumping flea, and also played the machete. But the ukuleles that people got to know and love in the 20th century were different from the Portuguese  machetes played  by Officer Jumping-Flea. The machetes often had  softwood tops, such as pine or spruce , like guitars. Those soft woods grew on the Portuguese island of Madeira, but Hawaii's tropical ecosystem is different. Hawaii is home to many hardwoods, including koa, a tree in the acacia family. This wood was abundant in Hawaii at the time, and it is

On Grover 6 ukulele tuners and Gotoh UPT tuners, and how I learned to like friction tuners

The following is a story of how I learned to like friction tuners. If you want to read an in-depth review of two types of tuners - the Grover 6's and the Gotoh UPT's - or if you like reading about ukuleles in general, then please read the whole thing. If you want to see some very basic recommendations, please skip to the last paragraph. *** My first uke and the friction tuner problem The first ukulele I owned was like many people's first: it was an actual toy. Because I didn't have a reference point yet for the many things that make some ukes better than others - things like the intonation, feel, playability, or even the weight - the first thing that I noticed about it was how hard it was to tune it. Every time I got it tuned to GCEA it seemed to slip out of tune. And tuning it up again was always time-consuming. The next uke I got was slightly more expensive, though not by much - it was an Oscar Schmidt ,  definitely a cheap uke rather than a toy uke. When I p